06.06.2022 - 27.06.2022 (Week 10 - Week 14)
Develop a font that is intended to solve a larger problem or meant to
be part of a solution in the area of your interest be it graphic
design, animation, new media or entertainment design or any other
related area not necessarily reflecting your specialization.
or
Explore the use of a typeface in your area of interest, understand its existing relationship, identify areas that could be improved upon, and explore possible solutions or combinations that may add value to the existing typeface.
Sundanese script is a writing system which is used by the Sundanese
people in Indonesia. It is built based on an old Sundanese script
which was used by the ancient Sundanese between the 14th and 18th
centuries.
I also did some research of the existing Sundanese-inspired
typeface. However, I notice there are only a few of them.
Process
I applied the method from Type & Play exercise for this
project. I traced some shapes from the original script and try to
get their curves and uniqueness. It was actually my favorite
exercise when I created the letterform inspired by a Moroccan
building. And to be able to recreate it in a Sundanese style really
was fun.
Font Dimensions
The main reason I created Aksara typeface is for preservation of
the Sundanese script as well as to introduce the nuances and style
of the Sunda culture to the public through type design. So
actually, this typeface can be used for everything that relates
with Sundanese culture, it can be posters, merchandise, prints,
logos for sundanese restaurant, and many more. However, i still
want to make it modern so it can reach the young generation as
well. Here are some mock-ups that i designed using Aksara
typeface.
Sundanese is a Malayo-Polynesian language spoken by about
39 million people mainly in western Java in Indonesia.
There are also speakers in Banten, Jakarta, parts of
western Central Java and southern Lampung. It is the third
most-spoken language in Indonesia. Many cities in this
region are tourist cities. Tourist from all over Indonesia
as well as overseas can be found strolling around. I
notice that there are many souvenir shops that sell merch
such as totebags, pins, etc. And I think Aksara typeface
can be used for creating aesthetically pleasing
merchandise that represent Sundanese which can be bought
by tourists.
Application #2: Prints
General Feedback
WEEK 13:
Audrey Gracia Djohari / 0348120
Advanced Typography
Bachelor of Design (Hons) in Creative Media / Taylor’s University
Task 3: Type Exploration and Application (Final Project)
Advanced Typography
Bachelor of Design (Hons) in Creative Media / Taylor’s University
Task 3: Type Exploration and Application (Final Project)
JUMP LINKS
INSTRUCTION
TASK 3
- Task 3: Final Project
Instruction
or
Explore the use of a typeface in your area of interest, understand its existing relationship, identify areas that could be improved upon, and explore possible solutions or combinations that may add value to the existing typeface.
Proposal
Figure 1.0: Proposal Slides, 30.06.2022
Chosen Project: Sundanese script-inspired typeface
I would like to make a new alphabet typeface inspired by the nuances
and shapes of the sundanese script.
As part of my research, I came back to the Sundanese
language lesson that I had back in high school. I really
found Sundanese as a beautiful language. The scripts are
so beautiful, I really wish people in my city use them
more.
However, not many people understand and can read the
original script. So I think making the alphabet typeface
version that has the style and the nuances of the original
script can be helpful to preserve and introduce the Aksara
Sunda to the public eye.
Figure 1.2: Aksara Sunda Guide
Figure 1.3: Aksara Sunda Script
Figure 1.5: Traced strokes from the original script,
21.06.2022
Figure 1.6: Progress, 21.06.2022
- X-height: 500 pt
- Cap height: 693 pt
- Descender: -250 pt
Figure 1.7: Font Dimension, 25.06.2022
Figure 1.8: FontForge Process, 25.06.2022
Figure 1.9: FontForge Lab Process, 25.06.2022
Figure 1.10: FontForge Process, 25.06.2022
Application
Application #1: Merchandise
There are also many businesses such as
hotels and villas that have "Sundanese"
design. I think this typeface can be popular
among these businesses as their typeface for
prints. They can use it on envelopes,
graphic posters, cards that promote their
business. Below, I created envelope and
business card for The Sunda Hotel. I also
designed a poster titled "Bandung", which is
a city that becomes Sundanese' people icon.
Besides the typeface, I used the strokes
from the original script as complementary
design elements.
Application #3: Album Cover
In modern Indonesian entertainment industry, there are large
numbers of Sundanese artists that has become Indonesia's most
famous singers, musicians, composers, cinema directors, film
and sinetron actors. I created this album cover using Aksara
typeface. The song in this album was written by one of the
most legendary Sundanese artist: Pidi Baiq. It is titled "Dan,
Bandung" and I think the lyrics are incredible.
Final Outcome
Sundanese script is a writing system which is used by the Sundanese people in Indonesia. It is built based on an old Sundanese script which was used by the ancient Sundanese between the 14th and 18th centuries.
I would like to make a new alphabet typeface inspired by the nuances and shapes of the sundanese script. The main reason is for the preservation of the Sundanese script as well as to introduce the nuances and style of the Sunda culture to the public through type design.
Figure 3.0: 'Aksara', Font Download, 25.06.2022
Figure 3.1: 'Aksara', Final Type Design, 25.06.2022
FEEDBACK
WEEK 10:
Specific Feedback
(Final Project Proposal) Mr. Vinod said that he liked
my third proposal which is the Sundanese
script-inspired typeface. He said it will be a better
project compared to the other two. However, make sure
that I create it differently because there's a senior
who has also done the same project. He said that the image I provided looks simplified, and better to add more curves when designing my typeface. He also told me to learn how to read Aksara Sunda
first before I did the design.
(Final Project Proposal) Better to rush our progression to 100% by next week because Mr. Vinod would be able to give better feedback when he sees our finished work.
WEEK 12:
General Feedback
Finish the work faster and complete the full set.
Finish the work faster and complete the full set.
General Feedback
(Final Project) Focus more on showcasing the type rather than the images. And make sure the application is suitable for your work.
(Final Project) Focus more on showcasing the type rather than the images. And make sure the application is suitable for your work.
REFLECTION
Experience
This project felt a bit rushed compared to other
ones. I had difficulties managing my time and
juggling to finish other projects from Interactive
Design and Research Methodology. I would really
love to get extra time to finish mine so it
doesn't seem rushed. But overall, the experience
was quite fun, I get to go back to my Sundanese
Language lesson which I had back in high school,
and make a typeface out of the
scripts.
Observation
At first, I was not sure of what to create
because what Mr. Vinod asked us to do was very
vast and all students had different outcomes. But
after diving deeper and doing this
project, I actually think this task is very interesting
and brilliantly designed. Being able to observe
what lacks and what needs to be better is a skill
all designer needs and this exercise pushes us to
do just that. Researching for this project alone
gave me so much insight into how important
typeface design is, it is applied in so many
things in our lives.
Findings
I found that to be a great designer I need to always look around and pay attention. Find what can be better designed and that would open my eyes to so many things not only typeface. I also believe I still have many mistakes with my typeface even though I'm way better now compared to semester 1. I hope I will keep improving. FURTHER READING
- Typography Essentials (2019)
Figure 6.0: Typography Essentials by Ina Saltz
Reference:
Saltz, I (2019). Typography Essentials Revised and
Updated :
100 Design Principles for Working with Type. Edition:
Revised
and updated. Beverly, MA : Rockport Publishers.
Chapter 9: Being Expressive
A strong typographic personality can be an effective
showstopper. Any and all effects can be used to
express the spirit and meaning of the text, including
hand-drawn lettering, modified typography, and
distorted or manipulated letterforms.
However, this freedom of expressive type can be
dangerous in untrained hands. Expressive typography is
a display-only solution because text type or body copy
must be legible. Legibility is not as great a concern
for expressive typography; however, depending on the
solution, it most likely cannot be completely
illegible. unless it is intended to stand solely as an
image.
Figure 6.1: Chapter 9
Reference:
Saltz, I (2019). Typography Essentials Revised and
Updated :
100 Design Principles for Working with Type. Edition:
Revised
and updated. Beverly, MA : Rockport Publishers.
Chapter 9: Being Expressive
A strong typographic personality can be an effective
showstopper. Any and all effects can be used to
express the spirit and meaning of the text, including
hand-drawn lettering, modified typography, and
distorted or manipulated letterforms.
However, this freedom of expressive type can be
dangerous in untrained hands. Expressive typography is
a display-only solution because text type or body copy
must be legible. Legibility is not as great a concern
for expressive typography; however, depending on the
solution, it most likely cannot be completely
illegible. unless it is intended to stand solely as an
image.
Figure 6.1: Chapter 9
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